Town & Country Magazine - April 2008
Western Art & Architecture - Fall 2007
The New York Times - August 2007
ARTnews - September 2006
ART+AUCTION - September 2006
National Public Radio - May 2006
Forbes - December 2005
Forbes Collector - December 2005
ART+AUCTION - October 2005

ARTnews - October 2005
Antique West - September 2005
ART+AUCTION - December 2004
Forbes Collector - December 2004
Wildlife Art - November/December 2004
ART+AUCTION - October 2004
ARTnews - October 2004
Persimmon Hill - Autumn 2004
Wall Street Journal - July 2004

Forbes Collector
December 2005

The folks who run Coeur d'Alene seem to understand the magic auction formula: consistently high-quality work plus reasonable estimates equals more players in the hunt. Of course, it doesn't hurt that they trade in one of the hottest markets around: Western art. Collectors are dropping more than a fistful of dollars on top-tier examples of sun-kissed California impressionism, majestic landscapes and pictures of cowboy and Indian life. This year Coeur d'Alene lassoed $21 million, up from $10 million in 2003. And the sale moved all but one of its lots. One dealer I know tried for 25 works, but was outbid on every single one.

Excerpt from Forbes Collector's "Big-Buzz Sales of 2005."

This year's top seller in the red-hot market for Western art, sold - where else? - at the Coeur d'Alene Art Auction, the annual shoot-out-the-lights auction of important Western pictures. This quintessential Russell canvas (Piegans, 1918) of Indians on horseback at twilight rustled up more than twice the artist's previous record. Sold by retired cattle baron Bill Foxley.

Excerpt from Forbes Collector's "50 Most Notable Sales of 2005."